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Saturday, August 16, 2003
Posted
8/16/2003 09:39:18 PM
by Edward Driscoll
Posted
8/16/2003 09:30:25 PM
by Edward Driscoll
Posted
8/16/2003 07:55:03 PM
by Edward Driscoll
Posted
8/16/2003 11:25:14 AM
by Edward Driscoll
Posted
8/16/2003 11:20:54 AM
by Edward Driscoll
He was driven from Uganda in 1979 by forces from neighboring Tanzania and Ugandan exiles, and was given sanctuary by Saudi Arabia in the name of Islamic charity. A Muslim, Amin had lived quietly in Jeddah on a government stipend with four wives."In the name of Islamic charity"? But of course. Friday, August 15, 2003
Posted
8/15/2003 04:20:59 PM
by Edward Driscoll
Posted
8/15/2003 04:11:44 PM
by Edward Driscoll
Posted
8/15/2003 03:58:10 PM
by Edward Driscoll
Posted
8/15/2003 12:43:42 PM
by Edward Driscoll
Posted
8/15/2003 12:37:52 PM
by Edward Driscoll
As they do not see, behind the benefits of civilisation, marvels of invention and construction which can only be maintained by great effort and foresight, they imagine that their role is limited to demanding these benefits peremptorily, as if they were natural rights.Jose Ortega y Gasset, by way of Nick Schulz. Too bad the guests Larry King had on last night don't understand this. Thursday, August 14, 2003
Posted
8/14/2003 01:46:37 PM
by Edward Driscoll
Wednesday, August 13, 2003
Posted
8/13/2003 07:45:28 PM
by Edward Driscoll
Posted
8/13/2003 02:50:42 PM
by Edward Driscoll
Posted
8/13/2003 02:22:25 PM
by Edward Driscoll
Posted
8/13/2003 01:38:31 PM
by Edward Driscoll
Posted
8/13/2003 01:20:26 AM
by Edward Driscoll
truly the best part of the film. Clearly working on a limited budget, the filmmakers somehow were precient enough to spend this portion of their funds very, very wisely. Mayfield's music is part Greek chorus, part counterpoint to the action on the film, some of the best music of the 1970s, and the only sense of morality in the film. I'd love to know at what point Mayfield discovered he would be writing music for a film glorifying drug dealers, and decided to insert his own morals into his lyrics. His music makes an otherwise forgettable movie electrifying. Shaft may have had the bigger budget, and was better directed, but Mayfield's score, throughout the entire film, far surpasses Isaac Hayes' soundtrack efforts in Shaft: only Hayes' theme song can stand on equal footing with all of the music that Mayfield wrote, and Johnny Tate brilliantly arranged, for Superfly. Unfortunately, to borrow a phrase from Les Paul, it seems like a good chunk of Superfly's audience "listened with their eyes", and ignored Mayfield's warnings: visually, Superfly is ground zero for "gangsta rap": huge Cadillacs, even bigger lapels and Fedoras, black gangsters "with a plan to stick it to the man", white policemen pushing drugs themselves (paging Maxine Waters!)--so much of rap culture begins here. (And I can't help but wonder if O'Neal's flowing locks were the inspiration for Al Sharpton's impressively coiffed hair.)As I wrote a year ago, "Too bad they didn't listen to the music--they might have learned something." Tuesday, August 12, 2003
Posted
8/12/2003 08:42:33 PM
by Edward Driscoll
Posted
8/12/2003 05:30:53 PM
by Edward Driscoll
Posted
8/12/2003 03:28:53 PM
by Edward Driscoll
Posted
8/12/2003 11:01:47 AM
by Edward Driscoll
Posted
8/12/2003 10:13:28 AM
by Edward Driscoll
Monday, August 11, 2003
Posted
8/11/2003 10:52:04 AM
by Edward Driscoll
Posted
8/11/2003 10:26:43 AM
by Edward Driscoll
"With America's sons in the fields far away, with America's future under challenge right here at home, with our hopes and the world's hopes for peace in the balance every day, I do not believe that I should devote an hour or a day of my time to any personal partisan causes or to any duties other than the awesome duties of this office--as senator from Delaware. Accordingly, I shall not seek, and I will not accept, the nomination of my party for a term as your President."Or something like that. Former British Labor party leader Neil Kinnock could not be reached for comment.
Posted
8/11/2003 01:11:03 AM
by Edward Driscoll
[Question from audience]: How have the events of the 11 of September changed New York? WA: I don't think that they've really changed New York. Every country, every city, has its tragic events - there are floods and fires and murders - and of course you grieve and its traumatising, but, you know, time passes and you rebuild and you move on with your life. Even before I left New York last week, people were starting to very slowly get back on track, and that's what will happen. The same thing happened in Oklahoma City after the terrible terrorism there. It's traumatic for a while but they'll either rebuild the twin towers as a symbolic gesture, or build something comparable in its place. They'll be a cosmetic change - airport security will be much more severe and the government will get into the business of protecting the country in a more dedicated fashion - but I don't think anything will really change. The Yankees are playing their baseball games, the Mets are playing their baseball games, people are going to the movies, the theatre will build itself up and the nightclubs, and it will just take a little while to rev up after an unusually traumatic event. I believe that the people who perpetrated it never believed that it was going to succeed as fortuitously for them as it did.This may be churlish of me, but how hard would it have been for the first words out of Allen's mouth to be "New York is now bereft of 3,000 of its greatest citizens. That's the biggest change." I realize that Woody believes that it's cold, empty, meaningless universe out there, and that people are cold, empty and meaningless themselves. But why perpetuate that belief in yourself? Sunday, August 10, 2003
Posted
8/10/2003 05:56:04 PM
by Edward Driscoll
Posted
8/10/2003 02:31:32 PM
by Edward Driscoll
Posted
8/10/2003 02:13:59 PM
by Edward Driscoll
Posted
8/10/2003 02:03:59 PM
by Edward Driscoll
Posted
8/10/2003 01:47:30 PM
by Edward Driscoll
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