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Saturday, January 17, 2004
Posted
1/17/2004 11:17:54 PM
by Edward Driscoll
Posted
1/17/2004 09:51:05 PM
by Edward Driscoll
I think history will show the faith in unbiased journalistic "truth" to have been a temporary aberration. The national papers of Great Britain, like the American press of the 19th century, are popular precisely because of their well-known ideological positions, not from any pretense of neutrality. They report the news by their own lights, recognizing that readers prefer the news to be filtered through values and beliefs similar to their own. So does The New York Times. The Times has become America's only truly national, general-interest newspaper because it has the best reporting, writing, and editing in the country...and because its worldview matches that of its target consumers. It doesn't need to purport to be unbiased.Sooner or later, the media needs to move away from feigning impartiality, because nobody in their audience buys it. They really ought to consider employing the strategy that has allowed a thousand narrowcasted blogs to flourish, and start saying something like, "yes, we're biased--just like you are. And we know you have lots of different news sources to choose from, each with own slant on things. But if you're a [Republican/Democrat/atheist/Muslim/hobbit/Wookie] we think you'll like us." UPDATE: Jonathan Gewirtz writes: Everybody is biased: it's human nature. And the way for journalists to deal with it isn't to remain ignorant, or shun open participation in politics, or engage in ostentatious rituals of non-partisanship. It is to admit their biases and allow their customers to make up their own minds about how to interpret information the media provide. Political contributions are among the clearest indicators, certainly clearer than words, of contributors' political biases. Far from forbidding them, we should encourage journalists to make such contributions as long as they disclose them. The public is smart enough to evaluate the results. And by permitting political participation by journalists we might encourage better people to become journalists, because becoming a journalist would no longer mean trying to ignore one's own carefully developed opinions, or abandoning a high-level career in the industry one covers. Disclosure, not bureaucratic restriction of behavior, is the answer here.I agree.
Posted
1/17/2004 04:01:11 PM
by Edward Driscoll
NEW YORK TIMES op-ed queen Maureen Dowd was left waiting by the phone by Democratic presidential hopeful Howard Dean, the DRUDGE REPORT has learned. After scheduling a phone interview with Dowd at her hotel in Des Moines, the candidate never called!Add this to the Kerry flip-flop over gutting the Agriculture Department, and if you didn't know better, you'd say that these guys were trying to reach across the aisle for voters. But I think in the case of Dean and Kerry, sometimes an F-up is just an F-up. (And for those of you who don't remember the Adam Clymer incident, click here.) UPDATE: Maybe there's more truth to this than I thought. I hadn't read the Jonah Goldberg piece about Clymer since it first ran back in September of 2000. But Jonah wrote that "sticking it to the press is a bipartisan tradition": Journalists hate to admit it, but beating up the press is a populist gambit. The media ranks at the bottom of almost every survey when it comes to public trust and confidence. More than a third of America actually thinks our press hurts democracy, according to one major survey. For all of their--often sincere--convictions that journalists are looking out for the little guy, most people see the press as an arrogant and unaccountable priesthood of kingmakers or, in the common vernacular, @$#&*!s.It will be interesting to see what sort of reaction this very minor tempest in a thimble gets. ANOTHER UPDATE: Must have been a deliberate effort by Dean. Pejman Yousefzadeh writes, "my respect for Howard Dean just skyrocketed". ONE MORE UPDATE: Orrin Judd writes, "Memo to Howard Dean: If you're a fire hydrant already, best not to give MoDo any more reason to whiz on you".
Posted
1/17/2004 03:37:42 PM
by Edward Driscoll
Posted
1/17/2004 12:30:48 PM
by Edward Driscoll
Friday, January 16, 2004
Posted
1/16/2004 01:00:05 PM
by Edward Driscoll
Posted
1/16/2004 12:33:45 PM
by Edward Driscoll
Posted
1/16/2004 12:27:53 PM
by Edward Driscoll
When Cheers premiered all those years ago, it came in last in the weekly ratings. Yet what is most impressive about the early shows is their quality: Many of the highlights of the series come from these two seasons, as evidenced by the best-of 200th episode (hosted by John McLaughlin). The performances are already spot-on, and the writers had a firm grasp of the different personalities. The series' creators — Glen and Les Charles and James Burrows, who had honed their skills on Taxi — originally contemplated an American version of the John Cleese-Connie Booth classic, Fawlty Towers. However, they came to realize that the best scenes took place in the bar, and set the entire series in a Boston pub based on the Bull and Finch Tavern. Over the years, Cheers had its growing pains. The second season is weaker than the first, as too much attention is paid to the blooming relationship between Sam (Ted Danson) and Diane (Shelley Long). As Norm puts it in one episode, "I kinda miss the good old days when they threw up at the sight of each other." The series would reach its high points over the next two seasons, with the introduction of Frasier (Kelsey Grammer) as Diane's new (and soon to be jilted) fiancé, which causes the Diane-Sam relationship to mature. The sudden death of Nick Colasanto (Coach) forced the writers to introduce Indiana farm-boy Woody (Woody Harrelson), as the bar's resident simpleton, but he never was able to equal what Danson refers to as Colasanto's "heart and soul, the sweetness of Cheers." Even so, this replacement worked far better than did the introduction of Rebecca (Kirstie Alley) after Diane left. Apart from the staff, the other characters throughout the years — Frasier's wife Lilith (Bebe Neuwirth), Harry the Hat (Harry Anderson), Carla's (Rhea Perlman, the first person cast) various ex-husbands — came and drank, but it was really Norm (George Wendt) and Cliff (John Ratzenberger) who came, drank, and stayed in our comedic memories.The notion that Cheers did its best work in its earliest seasons is certainly understandable--every TV show does its best work in its earliest seasons. I remember seeing Jim Carrey being interviewed shortly after his first hit movies came out, and he said that when he worked on In Living Color, after the first couple of seasons, everybody on the show was strictly on auto-pilot. (The same could be said for Miami Vice.) M*A*S*H's best episodes were its first three seasons, and then it gradually began to decay. The original Star Trek's best season was its first, but oddly enough, The Next Generation did its best work in its third and fourth seasons, ironically because Gene Roddenberry was less involved with the show, as his health declined. (That's a whole other subject.) I actually haven't watched a new episode of Frasier in quite a while, but that's OK: between syndicated reruns and DVDs, like Cheers, the show will be floating around the pop culture ether for quite some time to come.
Posted
1/16/2004 10:49:36 AM
by Edward Driscoll
Posted
1/16/2004 10:47:25 AM
by Edward Driscoll
Posted
1/16/2004 12:58:16 AM
by Edward Driscoll
Thursday, January 15, 2004
Posted
1/15/2004 11:35:03 PM
by Edward Driscoll
The new series Airline contains no celebrities, no courtships, no game-show rules—just a bunch of cameras recording the everyday Fear Factor of American airports. If there's an underlying message, it's that the only thing that might be less pleasant than traveling on an airline is having a job that forces you to deal regularly with air travelers.Gentlemen, include me out, as Sam Goldwyn used to say. Flying--and waiting in airports--is brutal enough for me, without having to watch others endure it.
Posted
1/15/2004 05:37:59 PM
by Edward Driscoll
Posted
1/15/2004 04:55:22 PM
by Edward Driscoll
Posted
1/15/2004 04:45:20 PM
by Edward Driscoll
Posted
1/15/2004 02:09:08 PM
by Edward Driscoll
Posted
1/15/2004 02:02:43 PM
by Edward Driscoll
Wednesday, January 14, 2004
Posted
1/14/2004 11:58:47 PM
by Edward Driscoll
Posted
1/14/2004 11:43:50 PM
by Edward Driscoll
Posted
1/14/2004 11:25:30 PM
by Edward Driscoll
Posted
1/14/2004 11:17:53 PM
by Edward Driscoll
Posted
1/14/2004 09:30:44 PM
by Edward Driscoll
Posted
1/14/2004 07:36:21 PM
by Edward Driscoll
Posted
1/14/2004 04:20:36 PM
by Edward Driscoll
Posted
1/14/2004 04:11:19 PM
by Edward Driscoll
Posted
1/14/2004 03:20:18 PM
by Edward Driscoll
Posted
1/14/2004 01:50:18 PM
by Edward Driscoll
What a difference the target makes. Five years ago, when George Stephanopoulos wrote a book with critical insider accounts of President Clinton’s White House, NBC’s Katie Couric asserted the book “has many wondering whether he's a traitor or man of integrity,” stressed how “a lot of people” see Stephanopoulos’ book as “creepy” and she told him that they view him “as a turncoat, a Linda Tripp type.” She was also upset by the timing: “Why now George? Couldn’t this have waited until the President was out of office?” But nearly five years later, in introducing a segment with Paul O’Neill, Couric wasn’t upset that O’Neill issued his charges in an election year as she recalled how “President Bush once praised Secretary O’Neill for his candor. He was called a straight shooter,” but “today O’Neill is under investigation for a tell-all book that raises serious questions about the Bush administration.” Couric plugged the interview: “Does Mr. O’Neill think the administration’s threat of investigation is payback for his so-called honesty? We’ll talk about that and some other things.”As Roger Simon noted earlier today, "The Internet is the greatest memory device we have ever had. It stores virtually everything for instant access—it’s very difficult to hide what you have said. Bloggers and others will dig it out and force the media to publicize it". And expose the media itself when it lies, obfuscates and flip-flops.
Posted
1/14/2004 01:41:21 PM
by Edward Driscoll
Posted
1/14/2004 01:22:58 PM
by Edward Driscoll
"There's no real rationale for colonization of the Moon, so it's hard not to be cynical and conclude this is the space-age equivalent of bread and circuses," Will Marshall, president of the Progressive Policy Institute, a Democratic research group, said in The New York Times the other day.Good thing JFK didn't follow his advice. JFK has long been an iconic image for Democrats. Bush's space proposals allow him to triangulate off Kennedy's resonating spirit--and present the perfect to trap for liberals and leftists who oppose them to fall into. UPDATE: "Translation: This would be such a good idea, if only it wasn't George W. Bush's". Looks like another case of hypocrophobia. Tuesday, January 13, 2004
Posted
1/13/2004 09:33:54 PM
by Edward Driscoll
Rule number one for all reporters in Iraq and their editors back home:It doesn't surprise me. We noticed CNN's first report of a quagmire in Iraq back in February of last year--three weeks before the war began! See also these thoughts from Brent Bozell and John O'Sullivan from September on why Vietnam analogies desperately need to be retired from the media's vocabulary.Thou shalt not report any good news without also including bad news. Thus shalt thou maintain balance. (However, reporting bad news without any offsetting good news is perfectly acceptable.)
Posted
1/13/2004 08:05:04 PM
by Edward Driscoll
Posted
1/13/2004 07:57:51 PM
by Edward Driscoll
Posted
1/13/2004 07:54:01 PM
by Edward Driscoll
Posted
1/13/2004 07:48:41 PM
by Edward Driscoll
Posted
1/13/2004 07:16:02 PM
by Edward Driscoll
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Posted
1/13/2004 07:11:14 PM
by Edward Driscoll
Posted
1/13/2004 06:45:53 PM
by Edward Driscoll
Posted
1/13/2004 01:48:14 PM
by Edward Driscoll
A comedian's skit portraying a Palestinian guerrilla wearing a Jewish Orthodox hat and giving the Nazi salute on state-owned French television has raised an outcry and is under investigation by a Paris prosecutor for racial defamation. Dieudonne M'Bala M'Bala, an often provocative French comedian, appeared on France 3 Television in December as a masked guerrilla wearing a Jewish Orthodox hat and called on "young people watching from suburban housing projects to convert like me ... and join the American-Zionist axis." He then shouted "IsraeHeil" and made the Nazi salute.I guess, especially after 1941, the Jewish question is less sensitive in France. But hey, just a month ago, didn't Noam Chomsky say that anti-Semitism "scarcely exists now" in the West?
Posted
1/13/2004 01:42:56 PM
by Edward Driscoll
Posted
1/13/2004 01:28:01 PM
by Edward Driscoll
Posted
1/13/2004 12:07:22 AM
by Edward Driscoll
Monday, January 12, 2004
Posted
1/12/2004 10:49:33 PM
by Edward Driscoll
Posted
1/12/2004 10:39:10 PM
by Edward Driscoll
Posted
1/12/2004 06:55:11 PM
by Edward Driscoll
Posted
1/12/2004 04:17:05 PM
by Edward Driscoll
I always enjoy appearances of the phallic theory of gun ownership. ("Take gun control. Despite the precipitate drop in crime, white men cling ever more tightly to their guns, and the right to lock and load is a major link between pistol-packing papas and the Republican Party. Assume that most of these guys cherish their weapons for other than practical reasons, and you can see the pull of the phallic on American politics.") Do the people who deploy this theory not realize its implications? If they're right, then gun control is a kind of symbolic castration. How likely is that to be successful as a policy? Or as a political platform?As someone once said, heh.
Posted
1/12/2004 02:01:01 PM
by Edward Driscoll
Posted
1/12/2004 01:33:42 PM
by Edward Driscoll
Posted
1/12/2004 11:41:08 AM
by Edward Driscoll
Posted
1/12/2004 11:38:22 AM
by Edward Driscoll
Sunday, January 11, 2004
Posted
1/11/2004 05:27:55 PM
by Edward Driscoll
Posted
1/11/2004 02:39:59 PM
by Edward Driscoll
When Truman Capote insisted that In Cold Blood was not journalism but a new literary genre he had invented, "the nonfiction novel," a flash went through my mind. It was the familiar "Aha!" flash. In this case: "Aha! the ever-clever Fielding dodge!" When Henry Fielding published his first novel, Joseph Andrews, in 1742, he kept protesting that his book was not a novel--it was a new literary genre he had invented, "the comic epic poem in prose. He made the same claim for Torn Jones. He compared his books to the Margites, which was believed to be a lost comic epic of ancient Greece (by Homer, some said). What he was doing, of course--and what Capote would be doing 223 years later--was trying to give his work the cachet of the reigning literary genre of his time, so that literary people would take it seriously. The reigning genre in Fielding's time was epic poetry and verse-drama of the classical sort. The status of the novel was so low--well, it was as low as the status of magazine journalism in 1965 when Capote started publishing In Cold Blood in The New Yorker. Thanks to this initial "Aha!" flash, I began to notice a curious thing. The early days of this new journalism were beginning to look like an absolute rerun of the early days of the realistic novel in England. A slice of literary history was repeating itself. I don't mean repetition in the vague sense of "there's nothing new under the sun." I mean exact repetition, deja vu, finicky details. The very same objections that greeted the novel in the eighteenth and nineteenth centuries were starting to greet the New Journalism. In each case the new form is seen as "superficial," "ephemeral," "mere entertainment," "morally irresponsible." Some of the arguments were so similar it was uncanny.Flashforward from the 1960s and '70s to today (literally), when Roger Simon (not the Blogosphere's numero ono Roger Simon--but you probably know that already), said, on Meet The Press: MR. RUSSERT: But you're a blogger. MR. SIMON: I am a blogger sort of. I mean, the difference between--look, a true blog is I woke up this morning, I decided to skip chem class, now I want to write about the last episode of "Friends." That's what blogs are. You know, it's people talking to each other. My site is actually written columns. There's a difference between writing and typing basically. [Emphasis mine.]So Meet The Press, to talk about blogs, interviews a guy who says he's doesn't blog! It's the ever-clever Fielding dodge tarted up for the 21st century's equivalent of the New Journalism: Not me! Don't lump me in with that rabble proletariat who blogs. I don't blog--I write columns. I'm old school. I'm one of you fellows. (And just to bring things full circle, notice Simon's updating of Capote's famous bon mot, "that's not writing, that's typing". (Which isn't to say that Blogs--even the blogs of both Roger Simons--are the equivilent of Capote's In Cold Blood, of course. But I think both Simons understand that.) Maybe, if it wanted to talk about blogs, Meet The Press would be better served if it had on somebody who actually will admit to, you know...blogging! The other Roger Simon would be perfect--a guy who has written novels and screenplays, and now blogs--and admits to it. And understands the medium. Or Virginia Postrel, who blogs, has edited magazines, and writes for The New York Times. Or Andrew Sullivan (although to be fair, he's got the flu this weekend.) Or maybe (say, here's a thought), the man, the myth, the legend, Glenn Reynolds. Or does that make too much sense?
Posted
1/11/2004 12:58:19 PM
by Edward Driscoll
Posted
1/11/2004 12:05:21 PM
by Edward Driscoll
Sometime in the future, the media may look back on 2003 as the year when a number of warning bells were sounded. But as an industry it seems we're still trying to agree on how to locate the fires, let alone how to put them out.Reading his article, you get the feeling that Johnson obviously knows there's a problem, and I commend him for pointing it out. But he's only partially right: the warning bells began to go off a long time before 2003. The public, en masse, only began to hear them last year. I don't know if the media as a whole can hear them--or if they can, are aware of how loudly they're ringing. And if they can, do much about them. Johnson's industry is too set on auto-pilot, and too paralyzed by political correctness to radically change their direction. Further into his article (it goes without saying: RTWT) while Johnson properly rebukes Christiane Amanpour for saying that the press was muzzled, he never explains why CNN was really muzzled: they were in hock to Saddam Hussein. And check out this quote, that goes uncommented on by Johnson: "You have to consider real news that serves the democracy kind of like a public utility," [Kristina Borjesson, a former reporter-producer for CBS] says. "And you would not want the bottom line to get in the way of your receiving electricity or clean water. Well, in a sense, real information on what the arena of power is doing either nationally or internationally, on behalf of all of us, on behalf of the people, that's almost like a utility."But utilities are increasingly no longer monopolies. I have options when it comes to most of them: if my water is cloudy, I can buy bottled water or a filter. If my phone rates go up too high, I can change carriers--or consider using more online chat or Internet telephony. Satellite TV has more channels and better picture quality than cable, so I switched. If my electricity is funky, I can add surge protectors, or depending upon how upset I am, install my own back-up generator. And after 9/11, when my news sources seemed like they were stuck in Hue City covering the Tet Offensive of 1968, I changed 'em. And you know what? If you're reading this, you did too. I started my own blog, because I wanted to express opinions on material I normally don't write about during my day gigs. There's no reason why you can't either. As Matt Drudge once said, "Roger Ailes told me early on, you don't need a license to report. You need a license to do hair." Utilities are not monopolies--and while the media's monopoly on news gathering will remain for the forseeable future, they no longer have a monopoly on opinion. And it scares them.
Posted
1/11/2004 11:17:56 AM
by Edward Driscoll
Posted
1/11/2004 12:00:48 AM
by Edward Driscoll
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